Hmm... OK, but could be better if either plot were jettisoned. Neither is entirely new, but neither is explored fully either, so they just end sweetly without any major buildup. I'd toss the Maggie plot - it just seems too tidy here and wasn't as interesting as Moe's, but could be good as we've seen before (Hello Gutter, Hello Fadder, BABF02). Moe's plot (dare I say Moe-mance?) was slightly fresher, but kind of as one-note as his interaction with Maya itself... to the point that when she gets mad at him it seems very sudden, literally without warning, and unfair of her, especially given she seemed fine with self- deprecating jokes herself (the pretending to be a doll). More time on either plot could really help, that's all. Some kind of annoying gags and stuff too, but eh.
INTRO NOTES Crow: left to right Clouds to driveway TV falls off
DYN: ...cels in the couch gag, even though they're not used on OFF anymore? ...Bart and Lisa don't appear till act 2, and only Lisa reappears in a single extra scene? ...Moe appears to go straight to the "orange you glad" part of the joke, unless he already told the banana portions ahead of time? ...a portion of Maya's chat text types onto the screen character by character? (What is this, the 80s?) ...Ogdenville has a Hollywood-type sign just as Springfield does? ...Dr. Nick lives? (He was killed in the movie - I could have sworn I saw him again since then but can't find where.)
Previous episode references CABF18: "Frabjous day" 9F01: Moe mentions being a snake handler 5F12: Moe's previous serious girlfriend