metalinguistics in Seinfeld

Feb 23, 1998, 8:07 PM ET5 posts by 5 posters
🧠 Theory
5 posts
minan

I was wondering whether something has been written about the motiv of language and misunderstandings as a results of miscommunication with language in Seinfeld.

This is obviously one of the "Leitmotivs" in Seinfeld. I remember the episode in which George tries to use the sign language skills of Jerry's girlfriend to find out what his girlfriend and another guy are talking about. Another time Jerry is obliged to appear on a t.v. show wearing a pirate type t-shirt because of a misunderstanding with Kramer's girlfriend who whispers and cannot be heard by anybody. There are several similar episodes involving George in which people, ususually his bosses or future employers - assume that he has understood what he is supposed to do but in fact he hasn't. He just shows up at the company because he thinks that he got the job. At the Yankees he is supposed to to something (with accounting?) and is afraid to ask what exactly his assignment is. Of course usually pretends to know what is going on which leads to funny situations. In one of the episodes in which George quits having sex and becomes intelligent one of the major signs of his increased mental sharpness is his ability to learn languages and as a matter of fact the same ability leads to the loss of mental sharpness. he impresses the waitress with his knowledge of Portugese, sleeps with her and falls back!

The bosses in Seinfeld (Mr. Steinbrenner, Mr. Peterman) tend to monologue instead of dialogue which makes communication with them impossible...

By the way, Kramer is the one with the least problems in communication. He understands his girlfriend perfectly while nobody else can hear her, he knows sign language etc.

I am sure there are many many other examples...

Nima

[email] wrote:

It's not metalinguistic, but I've noticed that a frequent gag on Seinfeld involves the spontaneous migration of a word or phrase from one person to another:

        Jerry: (to the cop at the lunch counter)  You know, a muffin
		can be very filling.

(walks back to George)

George: Well?

Jerry: He's getting a sandwich.

George: A sandwich? I thought he was getting a muffin!

Jerry: He got hungry all of a sudden.

George: (indignantly) You know, a muffin can be very filling.

Another example:

	Kramer:  Now who's going to turn down a Junior Mint?  It's
		 chocolate, it's peppermint--it's delicious!

Jerry: That is true.

Kramer: It's very refreshing!

(then, in the last scene of the episode, in the hospital room)

	Doctor:  You know, something intervened to stave off that
		 infection--something beyond science.  Something...from above.

Kramer: (offering Junior Mint) Mint?

Doctor: Those can be very refreshing.

You get the idea. There are plenty of instances of this phenomenon, and each of them unfailingly gets a laugh from me.

Paul

harryminan

How very interesting a perspective on Seinfeld!! It's one of those things lurking in the back of your mind when you watch the show, that you've seen this type of misunderstanding/miscommunication before. They certainly use it to good effect. It's a basis of George's character that he simply doesn't know how to communicate, yet a 'dufus' like Kramer understands people of all types.

Anastasia [email] wrote in article ...

SLGbchhharry

Yes, I agree, that is an interesting perspective on SEINFELD.

I think the main point to come away with from this bit of empirical commentary is the constant repetition of structure within situation comedies. Boiling SEINFELD down to those constitutents, one can argue it owes a lot to the shows of yesteryear: THREE'S COMPANY, HONEYMOONERS, HAPPY DAYS, etc. Not that there's anything wrong with that...these are patterns that work...and SEINFELD has demonstrated that it can add its own unique designs.

Seinfeld dialog, in these cases, is based on Abbott and Costello routines, or, at least, the way A&B constructed their bits.