I'll do ti by season. Yes, there are many by season and I left out some classics, anyway, here goes.
Season 1.
The stake out. At Sagman, Bennet, Robbins, Oppenheim and Taft's building.
Jerry: I'm a little nervous. George: Yeah, me too... Jerry: If I see her, what do I say that I'm doing here in the building? George: You came to see me; I work in the building. Jerry: What do you do? George: I'm an *architect*. Jerry: You're an *architect*? George: I'm not?
Season 2.
The phone message.
Phone: Hi, it's Carol, I 'll get back to you. (Beep) George: Uhm, hi, it's George, George Costanza, remember me? The guy that didn't come up for coffee. You see, I didn't realise that coffee didn't really mean ... well, whatever. Anyway, it was fun. It was, erm, it was fun, so, oh boy, uhm, so, you call me back. If you want, it's up to you, you know, whatever you wanna do. Either way. The ball's in your court. So, er, take it easy. (Hangs up. Jerry enters) Jerry: I'm just gonna get my jacket, I'll meet you downstairs. What's the matter, did you call? (Elaine enters) George: Got her machine. I'm dead, I'm a dead man. That's it. I'm dead, I'm a dead man. Dead man. Jerry: What did you say? George: I don't know what the hell I said. I gave her an ultimatum and there's nothing I can do. It's a machine. The little light is blinking right now: 'Come and listen to the idiot. Hey everybody, the idiot's on!'
Season 3.
The pen.
MORTY: You know Jack, you've got a hell of a nerve taking that kid's pen. JACK: Whose pen? MORTY: His pen. JACK: This happens to be my pen. MORTY: You didn't give it to him. JACK: What are you talking about? He pratically begged me for it. MORTY: Where do you come off with this crap? JACK: Listen, do you think I take everything everybody offers me? You offered me sponge cake yesterday. Did I take it? MORTY: You said you didn't want it! JACK: Of course I wanted it! I love sponge cake! MORTY: Then who the hell said you couldn't have any? I mean what the hell do I care whether you have sponge cake? (Jerry and Elaine can't beleive what they're hearing) JACK: Because I saw the look on your face last week when I took the scotch tape! MORTY: Ahh! Ahh! So YOU got the scotch tape! I've been looking all over for it!
Season 4.
The outing.
Sharon: And do your parents know? Jerry: Know *what*? George: My parents? They don't know *what's* goin' on... Jerry: Oh God, you're that girl in the coffee shop that was eavesdropping on us. I *knew* you looked familiar! Jerry: There's been a big misunderstanding here! We did that whole thing for your benefit. We knew you were eavesdropping. That's why my friend said all that. It was on purpose! We're not gay! Not that there's anything wrong with that... George: No, of course not... Jerry: I mean that's fine if that's who you are... George: Absolutely... Jerry: I mean I have many gay friends... George: My *father* is gay...
Season 5.
The puffy shirt.
MAN: I've never seen hands like these before.. WOMAN: They're so soft and milky white. PHOTOGRAPHER: You know who's hands they remind me of? Ray McKigney. MAN: Ugh.. Ray. PHOTOGRAPHER: He was it. GEORGE: Who was he? PHOTOGRAPHER: The most exquisite hands you've ever seen.. Oh, he had it all. GEORGE: What happened to him? MAN: Tragic story, I'm afraid. He could've had any woman in the world.. but none could match the beauty of his own hand.. and that became his one true love.. GEORGE: You mean, uh..? MAN: Yes. he was not.. master of his domain. GEORGE: But how.. uh..? MAN: The muscles.. became so strained with.. overuse, that eventually the hand locked into a deformed position, and he was left with nothing but a claw. He traveled the world seeking a cure.. acupuncturists.. herbalists.. swamis.. nothing helped. Towards the end, his hands became so frozen the was unable to manipulate utensils, and was dependent on Cub Scouts to feed him. I hadn't seen another pair of hands like Ray McKigney's.. until today. You are his successor. I.. only hope you have a little more self-control. GEORGE: You don't have to worry about me. I won a contest.
Season 6.
The label maker.
Newman: Great streak of luck I'm having. First, Kramer almost beat me at Risk but I narrowly escaped, and then Tim Whatley gives me his Super Bowl ticket. Jerry: Can you move over at all?! Newman: And then, just as I'm about to go, these boxes show up at the post office with no labels. No labels, Jerry. You know what that means? Freebies!! I got this great mini-TV and a VCR, oh it's unbelievable. Jerry: An inch! Can you move over an inch?!?
Season 7.
The secret code.
Leapin' Larry: Try the scanner, see if you can pick up anything. Jerry turns on the scanner. Captain: What are you doing, Kramer?! You're all over the road! Kramer: Don't worry, Cap, I can handle it! Jerry: Kramer? Cut to Kramer losing control of the truck. Captain: You're losing control! Hard right! Hard right! Cut to Jerry holding the scanner. he hears screaming, a crashing sound, and then static. Jerry: Ah, that's a shame.
Season 8.
The chicken roaster.
Jerry: Seth, you're the manager, can't you turn off the sign? Seth: Jerry, I lied, I'm just he assistant manager. Seth (On loud speaker): Number sixty seven, family feast. Newman: Number 67, right here, right here! Jerry: Hello Newman. Newman: Hello Jerry. Seth: And don't forget your steamed broccoli. Jerry: Hold it, Newman, you wouldn't eat broccoli if it was deep fried in chocolate sauce. Newman: I love broccoli, its good for you. Jerry: Really? Then maybe you'd like to have a piece? [Jerry opens container. Newman takes a piece] Newman: Gladly. [Newman spits it out] Newman: Vile weed! Jerry: It's Kramer isn't it? The greasy door knob the constant licking of the fingers, he's hooked to the chicken isn't he? Newman: Yes, now please. Someone, honey mustard.
Season 9.
The merv griffin show.
KRAMER: Okay. a little later, we're gonna be talking with animal expert Jim Fowler. FOWLER: Where are the cameras? KRAMER: But first, we're talking with Jerry. Okay, Jerry, uh, you drugged a woman in order to play with her toy collection. How do you feel about that? JERRY: It was great! I've done it a few more time since then. KRAMER: And she doesn't know anything about this? JERRY: No, not a thing. Newman: laughs KRAMER: Well, Jerry, we have a little surprise for you! Come on out, Celia! CELIA: What kind of a sick twisted creep are you? NEWMAN and KRAMER: Woah. JERRY: What is this? What is she doing here? KRAMER: It's the new format. Scandals and Animals. Go with it. CELIA: If you think you can drug me and play with my toys, you got another thing coming, buddy! NEWMAN: Go girl! JERRY: Well, what kind of woman drinks a whole box of wine? NEWMAN and KRAMER: Ohhh! GEORGE: Mister Fowler, I have a squirrel here that is a miracle of modern science! KRAMER: George I told you we're booked! FOWLER: Careful. Hawks and squirrels don't get along together. KRAMER: Ohhh. another interesting confrontation. This could be spicy. Yeah, George bring him over. FOWLER: No, you idiot! Hawks eat squirrels! KRAMER: Are we getting this?