Review: Last's weeks episode tried to mock some of the more prominent scientific implausibilities in "Futurama," but I didn't like Cubert's arrogant tone in delivering them. They were done much better here. Bender accidentally burning down Zoidberg's home ("That just raises further questions!" -- one of Hermes' best lines yet) and the caffeine causing hyper-evolution were a nice way of saying, "We know the science is all screwed up, and we don't care." The idea of an anti-pressure suppository is just too ridiculous to not be funny. That said, there were a few plot holes. Fry leaves Atlanta simply because he can't impregnate Umbriel? He's not that shallow. And didn't Farnsworth imply that there was no way to fix the ship? How was Donovan still alive in the 2500s+ without being a head in a jar? But there were a few good moments (Atlantic Monthly, Fry recalling the airport, e.g.), but I still think the idea of mermaids is a little silly for this show. Overall a B/B+.
DYN: -Cubert is absent from this episode? -The creator of Coca-Cola (Dr. John Pemberton) was somehow brought back to life? (Maybe the Magician had something to do with it, or perhaps the story was apocryphal.)
This week's guest star: Spiritual folk singer Donovan rose to fame in 1965. With his new and refreshing approach to folk music he proved so popular that he became Ready, Steady, Go's first resident artiste which led to a recording contract. His style, along with denim cap and harmonica stand created Britain's answer to the already famous Bob Dylan. A year later in 1966 he switched from his folk image to Flower Power. His soft rock backing and rhythmic trance-like tunes brilliantly captured the mood at that time. A little later he took up with Eastern mysticism and cosmic philosophizing. Among his hits were "Mellow Yellow", "Season of the Witch," and "Universal Soldier," with Jean-Claude Van Damme singing backup. (j/k)