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***********spoiler space ends here*********** 8.18 The One in Massapequa
Wow, I'm surprised there hasn't been more commentary on this one yet. . . .
Most of this episode takes place at a reception hall, to celebrate Jack and Judy Geller's 35th wedding anniversary (which establishes their wedding year as 1967, in case it comes up--at least unless the writers decide to shift it!)
Monica
"Competitive Monica" is back for this episode--every year, Ross's anniversary toast is so touching, it makes everyone cry. This year, Monica volunteers to make the toast, and is determined to outdo Ross by inspiring *more* tears. Sadly (but probably not so sad the viewer cries about it), she seems to lose the distinction between choking up because you're touched and crying because someone made you depressed. When her reference to Nana not living to share the occasion doesn't elicit tears, she goes for depressing. . . .
It doesn't help that, at their parents' urging, Ross makes an impromptu toast that has the very effect Monica was seeking.
I guess I found the whole Monica plot a little flat--I think Monica would know the difference between touching and depressing, but maybe one could argue that she panicked.
Phoebe/Parker
Well, once again a love interest is revealed to have a fatal flaw making said love interest undatable. For Parker (Alec Baldwin), it was being ridiculously enthusiastic about *everything*. Some of the funniest moments from this plot came from the others' reactions--e.g. Chandler remarking that his flash hasn't gone off (when Parker does his "mental picture" mime), Ross mimicking him after P. goes off to use the men's room, and Joey avoiding using the men's room just then because he doesn't want Parker to express his admiration. . . .
In a way, I'm tired of the dismissing-a-love-interest-due-to-flaw device, but I also got some giggles out of the over-the-top story. "Don't let the best door in the world hit your ass on the way out!"
Ross/Rachel
Judy and Jack reveal that they have been giving people the impression that Ross and Rachel are married, and Judy urges them to play along. Both are initially uncomfortable with the idea of lying, but soon Rachel begins to enjoy telling outlandish stories about their imaginary wedding, and before long Ross is enjoying their deception, too--as well as the gift checks people keep handing him.
Here we have another instance of Rachel (and this time, Ross, too) benefiting from a lie. It's true that they were hoodwinked into participating in the lie, but their misgivings were short lived.
Ross's sweet engagement story--and Rachel's reaction to it--seemed to throw some hope to viewers who might be wishing for them to end up back together. But the writers pulled back from that conclusion--at least for now--by giving Ross the line that it's a good thing he didn't end up proposing since the wedding (e.g. the outlandish fantasy Rachel painted at the reception) would have been sooooo expensive. It seems to me the writers kept things very much up in the air. (Full disclosure: I'm an R & R fan from way back, but right now I just want a good story that does the characters justice--whatever direction the writers decide to take).
Joey and Chandler don't have much to do in this episode, besides one-liners and general support. I couldn't help noticing that Joey and Rachel are decidedly separate during the episode--probably so that the writers can hold off on advancing that storyline for the moment. (Note: I'm staying spoiler-free, so please, no disclosures from people who know what's coming).
Belphoebe