Here it is:
http://members.xoom.virgilio.it/sebapop/Friends/9/921_incomplete.zip
As you can imagine from the name, this time the transcript is incomplete, therefore we need your help to fill the gaps [ where there's a gap, there's a (...) ]
Here they are:
GAP 1: TOW The Receptionist
We can't understand what does the receptionist say to Rachel.
[Scene: SPA massage center, Rachel enters]
Rachel: (to the receptionist) Hi there! Receptionist: (in an affected tone) Hello, welcome to (...) SPA. How may I help you? Rachel: Oh, hi. I have a massage appointment under Rachel Green, and here is my gift certificate.
GAP 2: TOW The Ruined Divx
Here we have a problem with the divx from the French site. We all have the last codec, but we can't hear what Joey is saying because there is a sort of video and audio pause. The image freezes on Joey, we hear nothing, we only see his face, and then the video starts again with Ross' line.
[Scene: Central Perk]
Joey: I need to talk to you about Charlie. Ross: (annoyed) Oh, do you, do you really? Joey: Yeah, I'm... I'm kind of having a little (...) Ross: Look, if you don't know what the word "acrimonious" means, just don't use it!
GAP 3: TOW They Are Both Talking
Here Joey talks while Ross is still talking and we can't understand what Ross is saying.
[Scene: Central Perk]
Ross: Yeah, uh, uh, ok, there's this great rare book store on Madison Avenue. You know she loves architecture, you know what you should do, you should take a walk down fifth to the Saint Patrick's Cathedral and there there's this great little pastry shop that she'd love. Joey: Geez, sounds like you should be going on this date! Ross: But I'm not! (pause). You know what (...) Joey: Whoa, whoa, whoa! Slow down, you go way to fast. Ok? Just go back to the MET, ok?
GAP 4: TOW The Canvas
Here we can't understand what Joey's saying about the lines.
[Scene: Joey's apartement, Joey and Ross in the living room, rehearsing what Joey will say to Charlie in the Museum] Joey: (gesturing at an imaginary painting) Note the (...) lines and subtle impasto on this canvas. Monet painted quickly and usually outdoors as his elusive subject was light itself.
Once the gaps are filled, I'll put the correct transcript online.
Sebastiano