Matt on Jay Leno

I'm surprised nobody has asked this yet: Are there any transcripts or videos of Matt LeBlanc's appearance on the Tonight Show available online?

Andre

In article , "Andr� Knoche" wrote:

I have a transcript which I could post for you, but if I did so would you then accuse me of being a poser, like the last time?

Tennant Stuart

"Tennant Stuart" wrote in message news:[email]...

I was *joking*!

But since there seems to be a video, I'll try to find that first ;-)

Andre

Tennant Stuart wrote in message news:...

Hey, I'd like to read the transcript and I would never call you a poser. :)

Priya

In article , [email] (p r i y a) wrote:

It's on its way. :)

Tennant

"Tennant Stuart" wrote in message news:[email]...

Acutally, since a friend of mine is still stuck with a 56k modem and cant be asked to download the video, would you mind posting it here, so that I can forward it to him? I promise I'll name you as the source ;-)

Andre

In article , "Andr� Knoche" wrote:

Sure.

Some people can't handle very long posts, so I'll post it in three parts.

Ah, don't do that, the credit belongs to Ane Jegstad.

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"Friends: Access All Areas" is a backstage documentary about the making of the season 6 premiere (The One After Vegas) of Friends.

Here is a list of all the people who are a part of the documentary and their job title (some titles have changed from season 6 when this documentary was made):

Jennifer Aniston - Rachel Green

Courteney Cox Arquette - Monica Geller

Lisa Kudrow - Phoebe Buffay

Matt LeBlanc - Joey Tribbiani

Matthew Perry - Chandler Bing

David Schwimmer - Ross Geller

David Crane - Executive Producer

Marta Kauffman - Executive Producer

Kevin Bright - Executive Producer

Greg Malins - Executive Producer

Adam Chase - Executive Producer

Seth Kurland - Co-Executive Producer

Shana Goldberg- Meehan - Supervising Producer

Scott Silveri - Supervising Producer

Todd Stevens - Supervising Producer

Andrew Reich - Supervising Producer

Ted Cohen - Supervising Producer

Jamie O'Connor - Associate Producer

Wendy Knoller - Co- Producer

Ben Weiss - Assistant Director

Greg Grande - Set Decorator

John Shaffner - Art Director

Marjorie Coster-Praytor - Property Master

Kim Bolanowski - Property Person

Greg Bruza - Set Dresser

Kai Blomberg - Set Dresser

Quent Schierenberg - Set Dresser

Mike Smith - Construction Coordinator

Glen Johnson - Grip Boss

Dan Kelley - Construction Foreman

Tim Noble - Grip

Reid Haessig - Gaffer

Mike Crabtree - Foley Artist

Casey Crabtree - Foley Artist

Merelyn Davis - Music Editor

Kathy Oldham - Sound Re-Recording Mixer

Charlie McDaniel - Sound Re-Recording Mixer

Erin Gough - NBC Prime Time Series Manager

Trent Jones - Current Programming Senior Vice President Warner Bros. Television.

Crew Worker - Crew Worker is any crew member I couldn't find the name of.

Some small talk and minor comments have been excluded to not confuse. However, as a whole, this is a very accurate transcription.

FRIENDS: ACCESS ALL AREAS

[Narrator] It's the beginning of a new season for the hit television show Friends. In a little more than 2 weeks, the first episode will be filmed in front of a live audience. Over the next 9 months 23 more will come together in rapid fashion. A TV show is like a freight train: Once it leaves the station it gathers an unstoppable and relentless momentum. First onboard for Friends are the writers.

(Cut to writing room)

Adam Chase: In the first episode, maybe the first line you're playing catch up, but the second one, I just gotta get it off my chest - "not to me!" - I think you're definitely there.

(Cut to stage floor)

Quent Schierenberg: (they're dressing Rachel's hotel room in Vegas) This is Rachel's hotel room. Remember in the cliffhanger last season how her and Ross got kind of drunk in here?

Kai Blomberg: Kind of? They were blasted!

(Clip from The One In Vegas. Ross & Rachel are completely wasted)

(Cut to writing room)

Adam Chase: The end of last season was sort of a double cliffhanger.

(Clip from The One Vegas. Chandler & Monica in the wedding chapel)

Adam Chase: Monica & Chandler plan to having just get married. Just before they walk into the chapel and are able to go through with it, Ross & Rachel drunkenly stumble out of the chapel, gotten married. We A, don't know what Monica & Chandler are gonna do, and B, we have no idea what the hell Ross & Rachel were thinking and what they're gonna do to get out of it, or if they even want to get out of it.

[Narrator] Adam Chase is an Executive Producer, and one of the head writers on Friends. He's written the first 2 drafts of the premiere episode, and now the way it works is the script gets thrown to the table where the entire writing staff gives input and make suggestions.

Marta Kauffman: It's not about that. What it's about. He really just does not want another divorce. And I really think that confuses things.

Greg Malins: We can fix it by, in that scene, that he says, "we'll get an annulment", he goes "well this is still a failed marriage", she goes "but it's like it never happened", she sells it and he goes "ok". He kind of reluctantly gets onboard, then you'll at least understand it when he does it, it's not just odd.

(Cut to stage floor)

John Shaffner: This episode, the first episode of the season. We've got the wedding chapel, Rachel's hotel room, the coffee shop at Caesar's with the buffet line. We have an airplane, we have Monica & Rachel's apartment-

[Narrator] John Shaffner, the art director, runs down the list of sets in the season premiere for Supervising Producer Todd Stevens. But it's all guess work, because the script is still a work in progress-

(Cut to Warner Bros. lot)

Glen Johnson: This is stage 9 gentlemen.

[Narrator] The season ending cliffhanger poses a unique challenge for the grips and construction crew. The final episode featured several scenes shot on a large Caesar's Palace set. This required tearing down one of Friends' permanent sets, the coffee house.

Glen Johnson: When they came out, it was like we wanted out now, so we came out in kind of a hap hazard way, and now it all has to be pieced back together.

Mike Smith: It'll be alright when we find all the parts.

Glen Johnson: They're all here. Scattered about, but they are here. And if they're not, we'll make new.

Mike Smith: I built it for the pilot originally, and that was 6 years ago. It hasn't been touched since then, except it gets more screws and nails in it. And this time it came out like it shouldn't have. Once it's back up there they'll never even know it was gone.

Glen Johnson: I'm the grip boss. The gentlemen that are helping me put the set back together are grips. And with the help of the prop makers and carpenters, we'll find all the pieces and get this thing put back together.

Crew Worker: We don't have the script yet, so we don't even know what's actually all in now-

Greg Grande: And as they sit up there and write it, it becomes a situation where they're figuring out "you know this isn't working right, lets change this". And we are already preceding on doing the coffee shop and the airplane. And then all of a sudden it changes. Y'know you always have to be prepared for the change, cause it's all about making a funny script.

(Cut to writing room)

Shana Goldberg-Meehan: "Bye Rachel bye, see you. I didn't do it, I didn't do it. I didn't do it".

David Crane: I think that's less funny. I think it's funnier-Not the way you did it! I think it's funnier when it's got a kind of build up. I'm sorry. No the acting I loved, it was vivid! It was like "wow, where did Shana go", but-

[Narrator] As Friends heads into another season, there's a lot riding on just how funny they can make it. It's always one of the top 10 rated shows on television. And NBC still relies upon Friends to kick off it's crucial Thursday night block of "Must See TV" program.

(Cut to an NBC office)

Erin Gough: As far as our Thursday night goes, it sets off our Thursday night. And without it we would have a very difficult time keeping the numbers as high as they are.

(Cut to Chandler & Monica's apartment set)

Trent Jones: It becomes an identity, you know when people drive by the Warner Bros. lot and they see the Friends cast photo on that wall. For the studio it is - we are the studio that produces Friends-and the financial rewards are - should be obvious.

[Narrator] Friends averages over 24 million viewers every week. This makes it one of the crown jewels for Warner Bros. Studios. They produce the show and sell it to NBC.

(Cut to writing room)

Marta Kauffman: I think that's all you need. I think Phoebe - After Phoebe's joke, she can walk out and they can all walk out after her.

[Narrator] At either end of the writers table sit Marta Kauffman and David Crane. They created Friends, and together with their partner Kevin Bright, they oversee one of television's most successful production companies. Besides Friends "Bright Kauffman Crane" has to other shows in prime time: Jesse and Veronica's Closet.

(Cut to Central Perk set)

David Crane: We met in College, so we've been writing for over 20 years together.

Marta Kauffman: And we did musicals in New York, we wrote musicals.

David Crane: In our late 20s we went "we're not making any money". And so-.

Marta Kauffman: And a baby at this point.

David Crane: We just started coming up with ideas for shows and trying to sell them. One of the first ones we sold was Dream On.

[Narrator] Dream On's success on cable opened the door to the networks. NBC put Friends on the air in 1994, and "Bright Kauffman Crane" was off and running.

(Cut to stage floor)

[Narrator] Kai Blomberg, Quent Schierenberg and Gregg Bruza make up the set dressing department for Friends. Their first order of business is to dress one of the 3 main sets on Friends: Monica & Rachel's apartment. This means putting back every piece of furniture, decorative art, books, and the countless other items that turn a soundstage into a TV home.

Set Dressers: This is Marjorie, our prop master. Or we like to call her prop diva.

(Cut to prop room)

Marjorie Coster-Praytor: First day back - Coming into the prop room, to see what it looks like.. After last season closed-. Yeah that's pretty much what I remembered. Props are what I do. Props are anything an actor touches. Anything that they need to touch and handle-.is something that props handles - In other kinds of shows there would be guns-It would be, y'know-

Kim Bolanowski: A clipboard, a brief case, in this case a cup of coffee. The food they're eating, the magazines they're reading. Anything the actor touches, she has to find and make it just perfect for that character and for the scene.

(Cut to clip from The One With The Dollhouse when Phoebe sees the doll house for the first time)

Marjorie Coster-Praytor: One episode Monica had a dollhouse given to her by her great aunt, it was a Victorian beautiful doll house and Phoebe wanted to play with it, but Phoebe wanted to bring all sorts of absurd things into it, and Monica refused.

(Cut to The One With The Dollhouse when Phoebe is showing Monica the stuff she wants to have in the house)

Marjorie Coster-Praytor: So Phoebe decided to make her own doll house out of shoe boxes.

(Cut to The One With The Dollhouse when Phoebe is showing her doll house to Ross & Rachel )

Marjorie Coster-Praytor: So that was a real fun one. Of course we had to make 6.

Kim Bolanowski: In like 3 days.

Marjorie Coster-Praytor: We had the liquorice room..

(Cut to another clip from The One With The Dollhouse)

Marjorie Coster-Praytor: We had to make 6 because of course they had to burn.

(Cut to yet another clip from The One With The Dollhouse. Phoebe's doll house is on fire and Ross is trying stop it )

Marjorie Coster-Praytor: It was like the "piece de resistance" of this department at one time.

(Cut to stage floor)

[Narrator] All the pieces of Friends signature set, Central Perk, have been found and work continues on reassembling the world's most famous make-believe coffee house.

("I'll Be There For You" is played in - at a very high speed - the background as they show the crew putting Central Perk back together. )

Dan Kelley: Looks great! Good job, Matty, Tommy, Ruben, Danny, Larry, Johnny. You guys do a nice job. Adult model building, 101. Let's go to lunch!

[Narrator] Once Central Perk is back up, Greg, Kai and Quent begin to choreograph the redressing of the set.

Quent Schierenberg : To redress these sets, we have all these continuity photos to help us along the road. We have like in this flexi counter, we've got all these coffee and tea products, and you name it, that we change every 3rd, 4th episode to make it realistic, because we can't have a stagnant coffee shop where everything stays the same.

(Boys continue to dress set. Some small talk)

John Shaffner: We still have TMS here.

Crew Worker: What the hell's TMS

John Shaffner: Too Much Scenery

[Narrator] A new draft of episode one has come down from the writer's room. Some scenes have been written out and replaced with new ones. This triggers a hasty conference held on a prop, a Caesar's Palace blackjack table.

John Shaffner: So we can leave the wedding chapel as it is.

Crew Worker: Can we work on the light now? It's not gonna move?

Todd Stevens: They can, but it's a gamble.

(Cut to lighting of stage)

Reid Haessig: I'm the gaffer, and I work in concert with the director of photography, to get the look of the show.

Crew Worker: As you can see in the apartment here, we have a weeks rig to get everything prepped and ready for the actors and everyone to come in.

Tim Noble: I'm raising the flags out of the lights so we can start fresh, and see where all of our lights are going. And then when we gets our lights in place we'll bring back our flags and unify the set.

Crew Worker: Flags are the black things here that cut other lights out of other lights so we don't have 3 lights pointing in one direction.

Tim Noble: And we don't want any light leaking into the camera lenses cause you'll have what we call flares and that's good if it's like an action movie and you want the flares, but in this TV show stuff we don't like them so we keep the light out of the camera lens.

[Narrator] Each part of the set is uniformly lit. Once the cameras are rolling there is no time to stop and light for each and every shot.

Tim Noble: A teaser is just a larger flag, maybe 8 feet long. I'm putting on my safety belt so this thing will catch me.

[Narrator] Tim is heading for the Ozone. A gaffer's term for the upper regions of a sound stage.

(Cut to the Ozone)

Tim Noble: We try to avoid climbing out on the Ozone as much as possible.

[Narrator] It's 4 storeys above the stage floor, a place where you leave the fantasy world of television behind.

Tim Noble: You have to be really concerned when you're working up high. It's no joke up here, you really got to take it seriously. This thing works like a seat belt. It'll let me go as far as it will let me if I pull slowly, but if I give it a tug (pulls fast), it locks up. It's important to take your time and do a good job. Everything that we do up here can hurt somebody down there. If one thing we tie off wrong, falls and lands on somebody then that's bad you know.

(Cut to writing room)

Adam Chase: What if eliminated Joey & Chandler's?

Todd Stevens: If you eliminate Joey & Chandler's it really wouldn't matter cause I'm gonna pull out the 2 walls and then reset the back wall and just redress it so you can do both.

(Cut to stage)

Todd Stevens: There is still so much of the show to go after this.

Crew Worker: How many scenes are in here?

Todd Stevens: One elevator walk to the table. One giant scene.

John Shaffner: The difficulty is that when they originally left, walked out of last season everyone went on their vacation thinking "we'll come back and have to finish up all the stuff at Caesar's Palace, we won't be back in New York, we'll leave the sets up". So we left everything up. As they sit around the table and thinking about it. We only have a bit of a story.

Todd Stevens: Get us back home, get us back home-

John Shaffner: There just isn't enough material. They're done.

Crew Worker: After tonight, we basically - The crew runs out of stuff to do.

[Narrator] While the writers work the script and the art department tries to stay one step a head, the boys from set dressing put a few more props in place and unwind with their favorite past time. (Playing Nintendo 64)

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Part Two will be in the next post.

Tennant

In article , Tennant Stuart wrote:

EEK! I'm a complete idiot - I was just about to post part two, when I looked at the subject title, and realised I'd posted the wrong transcript (my excuse is that I posted an extract from "Friends: Access All Areas" in another thread).

Here is the Leno transcript - please credit AdiTheGame for it.

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LENO: My first guest, stars in the hit show Friends every Thursday night here on NBC! Matt LeBlanc! (MLB comes out with a picture of Jack's butt) Hi! What's going on there buddy. Yeah! Oh Yeah! I can get that signed for you! You want me to sign it or Jack?

MLB: No, if you can get him to sign it or...

LENO: I'll get Jack to sign Jack's buttocks..sure, sure. It looks like he has make-up or something.

MLB: Powder. I think he has a little powder.

LENO: That's the creepy part. Yeah, we'll get that signed for you. Don't you worry, son. Will get that.

MLB: I saw him back there. He said "Please don't do that!"

LENO: No. No. Het you guys are having a great year, huh?

MLB: Yeah, we are. It's a...we're having a good season. Just rocking along. Good writing....and typing.

LENO: You know, the thing that always makes me laugh..well you guys have been on for how many years?

MLB: This is...uh...(thinks)....forty...no eight.

LENO: Eight years! But it's like I keep like the credacy (?) "oh, there back! The show is hot!" but the show was always in the..at least, the top three or four shows!

MLB: Yeah, the comeback of the year. The comeback from five to one. I don't know, whatever.

LENO: Yeah, drop from two and there back! So it's like, well it's gotta feel good though.

MLB: It's nice to know there talking about you.

LENO: Yeah. That's right. That's right. And how you've been? Any new car stuff? 'Cause he and I always like...

MLB: Yeah, I see this guy like every week down at his place in the mountains, he has, this little breakfast place, he always has some, never the same car.

LENO: Always something stupid.

MLB: It's something great. Always.

LENO: But you have fun! I mean, do you ever get tickets up there? The cop ever nail you.

MLB: Um, yeah. I have been pinched a couple of times. Yeah.

LENO: Yeah?

MLB: Yeah.

LENO: What's fasted you have ever been pinched at?

MLB: Uh, only about seventy, seventy five...

LENO: Seventy five? School zone?

MLB: ...ish..Yeah, maybe.

LENO: I got, I got the oldest car ticket they ever gave.

MLB: Really?

LENO: I got pinched doing seventy three in a 1906 steamer. Yeah, so. The cop was like "hey, this is the oldest I've ever pinched" "oh, thanks!"

MLB: Sign right here.

LENO: Now, I know. You ride motorcycles, too. Now, do the, do the, people at Friends. 'Cause you're like a huge valuable commodity. You got number one show. Do they ever tell you, you can't ride or higit (?) off those bikes or anything like that?

MLB: Yeah, I just tell them I don't ride.

LENO: Yeah! That's right.

MLB: No big deal, right? Well, how they gonna find out? Not like I'm taking about on TV or anything? (look around, everyone laughs)

LENO: Yeah, well. We were just taking on TV. Have you fallen? Have you taken, 'Cause I have take a few spills. 'Cause, you know,.

MLB: Yeah, you know. They say there is two kind of riders. Those that have been down and those that are going down. You know what I'm saying?

LENO: Right, right. In fact, President Clinton used to say that too (they all laugh, Matt claps) Never mind! Never mind! Stop that! Your just encouraging them! Yeah.

MLB: Yeah, my accident all happen, um, well I ride off-road and in the streets as well. But most of my accidents have been to put the bike in the back into the back of the truck. You know, going up the ramp, it's too steep to push. I figure, I'll start it up and it's wet and it crashes in the back, its...

LENO: You drive it up the ramp with nobody?

MLB: Yeah, well. Who's there to help you push it up into there?

LENO: Well, no. That's...

MLB: Go up, and well OK I'll stop here and grab the front break and it folds up and then you gotta, get the first aid out and...

LENO: Well the interesting thing is most people that would happen to them once and they'd go "oh-uh. I better not do this again."

MLB: Right, yeah.

LENO: So...

MLB: Almost every time.

LENO: Yeah, yeah.

MLB: Almost every time.

LENO: Well, look. We'll take a little break. More with Matt right after this. Be right back, right after this.

COMMERCIAL BREAK.

LENO: Welcome back, talking with Matt LeBlanc, were talking about cars. See the nice about you is all the Hollywood guys get the Porsche and Ferrari and then they hit the tree. You work on the car and then you hit the tree. That's what I like, you see?

MLB: I think it hit the tree because I worked on it.

LENO: Well, that's right! Well, some people had some car questions.

MLB: Oh.

LENO: Here's one from Sandy Rodriguez is that? Uh..."How do you get nail polish off of car upholstery?" Matt, maybe you should handle this one. That's more...

MLB: Yeah, right up my alley.

LENO: Yeah.

MLB: Uh...(thinks) I would re-upholster that.

LENO: Just re-upholster that. Hey, your making money, what the hell? You re-upholster. That's it. Umm..Nicole Kendrick "How come our car burns oil and smokes a lot? Is it suppose to do that? It is an 82 Chevy Malibu."

MLB: Yeah.

LENO: Yeah, they all do that. Yeah.

MLB: Yeah, there all supposed to do that.

LENO: Oh, here you go, here you go. Ford question. Ummm..this is from Mandy. "Which is the rare colbergen engine? The 428 or 429?"

MLB: Uh...(Leno flicks his tongue) 50/50. I would go with the 429.

LENO: Yeah, 429 would go with that. Either would.

MLB: You know?

LENO: Yeah, 429 would go with everything.

MLB: He knows everything.

LENO: "Have you ever done it in the back seat of a car?"

MLB: (thinks) Why don't you take that one?

LENO: I-I-I'll take that one, actually, I have my 55 Buick when I first met my wife, that's when we first were romantic. On like our 20th Anniversary "oh let's go out and try it again!" Broke my back.

MLB: Ow.

LENO: Ow! Your on my hair! Ow! My arm! Ow! Get off my leg! Same car though.

MLB: Right. Still have it?

LENO: Still have the car...and the wife. Yeah! Same car, same wife. Never throw anything away.

MLB: Yeah?

LENO: Oh, no. No. No. Never throw anything away. You know, I want to ask you about something. Let me show you how macho he is, he shaved, what, 10 minutes before you came out here.

MLB: Yes. No, I, everybody gives me a hard time about that. I-I a) I am not very good at it. I always end up cutting myself and b) I-I just, if I don't have to, I don't. They make me shave for the show. I can't believe were talking about it.

LENO: You know what's I'm thinking? Bikini wax.

MLB: Bi-ki- oh. Wow. A little (makes some noises like fhoo-fhoo and makes a gesture with his hand)

LENO: You should get the electrolysis thing going.

MLB: Zap 'em.

LENO: You should zap them. Yeah. Now you guys won what was it...

MLB: Note to self..(pretends he is writing something)

LENO: Note to self. Now was it the People's Choice Awards?

MLB: We did.

LENO: The show won?

MLB: We won the People's Choice. Yup. Nothing at the Golden Globes.

LENO: Yeah. Well that's Ok. You won that before.

MLB: No.

LENO: Wh? Friends didn't get it before?

MLB: Never, no. Well, we don't like the Hollywood Foreign Press, so.

LENO: Oh, it's foreigners! They don't know!

MLB: They don't know! They don't get it.

LENO: There all in that gee-had crap thing.

MLB: Yeah, that's all right. But, the People's Choice, that's what counts. Right on.

LENO: Which you excepted the People's Choice. And you gave the acceptance speech?

MLB: Yeah. I did.

LENO: Yeah.

MLB: And they cut me off.

LENO: Now, why? How long did, did you talk long?

MLB: I think, I had like three minutes, I mean like three seconds. Not even. I mean, I said thanks, on behalf of everyone we want to thank you. 'Cause at the People's Choice, in the bottom is the, all the people are nominated, and at the top deck is the fans.

LENO: Right.

MLB: So there just hanging over, screaming. It's a really fun time.

LENO: Right, right.

MLB: So, I said we wanna thank you the fans, and everyone said "Yay!" and then they went to a commercial. I had a whole thing ready.

LENO: Now, were you, were you mad about it?

MLB: I was a ....pissed off. Yeah, I was a little mad. Yeah, they go to music and your going (tapping the mic) Hey! I'm trying to..(begins mumbling) I was going to do something nice, should I tell you what it was?

LENO: Yeah, what were you going to do?

MLB: Ok, what I was going to say was umm..I don't remember exactly, but umm...

LENO: I think I see why they cut you off.

MLB: Yeah. Well, I have it written down. I had it in front of me as i couldn't. I was going to say something to the effect of to be apart of something that right now takes place in New York is a special honor. So we would like to dedicate this award from the People of America to the People of New York, god bless you all, that is what I wanted to say. You know, I couldn't do it.

LENO: Very, great. That's good. Well, we have a clip from the show.

MLB: Oh, yeah.

LENO: What is this scene? Now, you have to give us a scoop on some of the storyline. Here, see, see this clip. I want you to give us something, something that we can't get in the show, so what's happening?

MLB: I think what's happening, what ends up happening is umm..Rachel and Joey, since they live together and she's pregnant, Joey seems to be around for all of the pregnant mother stuff, like the "ooo. I don't feel good" or whatever and a lot of vomiting is going on. And Ross is missing out on all that, I think this is a clip, after I have spoken to Ross about it and he has been visibly upset.

LENO: Let's take a look. <Scene snipped> Now are you, are you guys coming back next year? Have you decided yet?

MLB: Uh....we you know, are right in the middle of talking about all that. You know, we'll see what happens, I don't know.

LENO: 50/50 odds, what do you think?

MLB: 50/50. I would......50....Yeah...

LENO: Yeah.

MLB: I don't know, we'll see.

LENO: You all get together and vote? You all sit around and vote?

MLB: Umm.....yeah, everything.

LENO: I mean, if one of yous said I didn't want to come back, would you all not come back.

MLB: If the other five wanted to come back?

LENO: Yeah.

MLB: Well, you know. The neat thing of being a part of this cast, is it's six people, so majority rules on just about anything, on where we go to lunch right up to whether where are coming back or not.

LENO: Wow.

MLB: You know what I mean? So if your in the minority, your screwed. You know, what you say "Oh, well. I guess I have to go back."

LENO: SO, you have to go back. So you can...

MLB: Yeah, but it's-it's, were talking about it now, and it will probably all work out. Who knows? I don't know.

LENO: Wow, you should run for office, your very good.

MLB: Hey, who, who, hey. (pretends he is ducking, like a boxer)

LENO: Hey, a little of ooo-there. Kinds got that Clinton-I just got screwed thing. (they all laugh) Well, thanks for being here, Matt. (they shake hands) I appreciate it. Matt LeBlanc.

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Tennant

"Andr� Knoche" wrote in message news:[email]...

videos

Why would you bother??? He has the personality of a cardboard box. Lucky for him he is good actor.

"kh" wrote in message news:a49s46$3k0$[email]...

for

He seemed very shy and boring on Jay Leno. VERY DIFFERENT from Joey!

Sofya

"Sofya" wrote in message news:...

But it looked like MLB we saw on eppy 815, NOT Joey. Judging from the trailer on 816 we can expect more of the same performance. I hope we can see the funny Joey BACK very soon. This dull and boring Joey makes me sad like that mutt Phoebe gave him.